Pies: A Tragico-Absurdist Vignette of Revolutionary Russia

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‘This is a little piece now I’ve written myself, with a pen, and it’s set in Russia, around the turn of the century. I know what you’re thinking – don’t think that, because this is dark, penetrating theatre. Please enjoy a piece I’ve written, called simply: Pies.

An excerpt from the script of Pies: A Tragico-Absurdist Vignette of Revolutionary Russia, and its initial reception.

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Not Doing Anything (Seven Minutes)

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Until ‘Howard and Vince!’ someone says, and laughs burst out around the circle. ‘Pff, like they’re not doing it already!’ laughs a girl, and Vince turns to see Howard’s face battling to decide whether it wants to turn red or white.

From the prompt ‘Howard/Vince – Seven Minutes in Heaven”

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Arctic Conditions

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What’s the real reason behind the hiatus of The Boosh? Why did Fielding and Plume break up? Why does no-one ever see The Boosh boys together any more? What lies ahead for the future of The Mighty Boosh?

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Let the Good Times Roll

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Old Gregg enlists the help of his old man, the Hitcher, to reunite with his beloved Howard. When Howard goes missing on their trip to New Orleans for Mardi Gras, Vince once again has to save Howard in every way possible.

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Vincent The Lost

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Howard discovers his friend Vince has been kidnapped by a fae, a kind of ultra powerful and frankly berkish fairy who wants to own every pretty thing in the universe. Against his better judgement, he embarks alone on a quest to get his friend back. Unfortunately, the fae has fallen in love with Howard and he wont let The Mighty Boosh leave without a fight.

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